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The effect is not always that perfect, especially with unusual objects like the teapot. The bottom half of the teapot's handle at left is blurry, as are parts of the desk, while other nearby elements are still sharp. Using a sweeping motion, you can capture 3D stills with the WX9. With the WX9, along with other current Cyber-shot models, you can snap 3D stills and panoramas and display them with full dimensionality on your new television.
Sony does, however, caution users that 3D viewing is not intended for long durations and warns against children with still-developing vision using the feature. This tactic will ensure that your subject is properly exposed, however, it nonetheless comes at the expense of the background which is typically washed-out.
Sony takes an advanced approach to this within the WX9, instantly snapping three consecutive images at bracketed exposures and combining them into a single file. The camera takes the highlights, shadows, and mid-tones from each frame and fuses them into a single, tone-optimized image. The result is a proper exposure for both the subject and background. You merely have to switch into the iSweep Panorama shooting mode, hold down the shutter button and pan the camera horizontally.
The integration and interface are smooth and astonishingly effective. In Wide mode, iSweep Panorama grabs a decent degree picture: the roads left and right are a straight line. The panoramic setting is easily one of the WX9's best features, and in my opinion, the interface should become the standard for in-camera panoramas across all digicams.
The iSweep Panorama mode differs from Sony's Sweep Panorama modes, in that the camera detects moving objects and tries to prevent clipping of these objects in a scene, as often happens in the less sophisticated version. The same scene captured with iSweep in vertical mode, which captures more of the buildings and foreground. Multi-angle is particularly unique, creating a 3D image that you can view on the back of the camera by tilting the camera horizontally as you look at the LCD.
Finally the 3D panorama is only truly viewable on a 3D TV. You can capture up to 10 full-resolution images in a single burst sequence, a feat that also had been previously relegated to DSLR shooting. Viewing high-speed burst sequences in the camera's Playback mode, you can review the photos as single, high-resolution files, or you can hit the selection button and view the 10 shots as an active composite which you can move through by tilting the camera left and right, as you do to view a 3D Multi-angle image.
The real value of the feature is being able to capture a shot sequence in full resolution. Previously, point-and-shoot cameras were basically useless for action shots due to the slow shot-to-shot speed and drawn-out shutter lag.
The WX9's burst mode and its mechanics overcome these issues and make high-speed shooting possible in a pocket camera. Storage and battery. There's also approximately 19MB of internal memory, good for about three full-resolution images. The slim camera is powered by a 3. In my experience with the camera, I found it easily endured for over images or so, though it still falls short of what I would expect. A USB 2. The WX9's mechanics allow for quick operation, but the camera's reaction time can vary considerably depending on which mode you're in.
Setting the Sony WX9 to Superior Auto seems to sap some of its brain power in an effort to analyze the scene, slowing the camera's responsiveness to user input to the point of nuisance. Autofocus speed is impressive for a point-and-shoot, though it's not as accurate as we'd like to see. It shoots consecutive images every 1. Buttons are a little small, particularly the Menu, Playback, and Movie Record buttons.
The Menu button is a little too close to the rear dial, making it difficult to press without activating the Self-timer mode instead the bottom button on the rear dial. As we mentioned, shooting in Superior Auto for just a few minutes was enough to make us turn it off and switch back to Program mode. Thank goodness that's there, or the Sony WX9 would be more too cumbersome to use. It can be a little surprising when you go to take one shot and the camera fires off three times, but the improved results are hard to dismiss.
Perhaps Sony should have reserved this mode for a camera with a little more processing horsepower. Wide and Tele. Ranging from mm eq. Image quality. The creative feature set and aesthetic appeal of the Sony WX9 is strong; but under the hood, the camera doesn't impress.
Unfortunately, printed images from the WX9 only maintain reasonable image quality up to ISO , when printed at 8x10 or smaller. Optical performance from the WX9's mm zoom lens, particularly at wide angle, is unspectacular. Corners are soft at 25mm, with considerable blurring on the right edges of the frame. Print quality shows inconsistent focus and blurring along the bottom and edges of the frame.
In telephoto images, the center of the composition also gets somewhat softer than at wide angle. Plus, they're consistent up to ISO ; above that, things get slightly washed out and muddy-looking.
Also, when the lens was fully extended, blacks look slightly washed out compared with how they are at the wide end. Exposure and white balance are good as well, though highlights tend to blow out. The camera has shooting options for helping with those things, though.
Movies captured by the WX9 are excellent as well, on par with a very good pocket video camera. The 60i frame rate and image stabilization make for some smooth movement, too. You will see some ghosting with fast-moving subjects, though, and things look a little oversharpened on occasion. It won't replace a full-fledged HD camcorder, but if you'd like a single device for capturing good photos and videos, this is one of the better options available.
The optical zoom does work while recording though you will hear it moving in quiet scenes , and the stereo mic is a nice extra. Sony keeps shooting options geared toward snapshooters on the WX9, but it's so loaded with automatic modes that it could get very confusing.
For those who like to leave it in auto there are three options: Easy, Intelligent Auto, and Superior Auto. Easy mode takes away all options except for image size large or small and enlarges onscreen text. Intelligent Auto picks from 10 scene types and turns on face detection, dynamic range optimization, and image stabilization.
Why not just leave it in Superior Auto? Multishot modes like these rapidly take photos and overlay them to help remove blur, correct exposure, and reduce noise. However, they don't work well with moving subjects and they require additional in-camera image processing so they take longer than a simple snapshot taken with Intelligent Auto and other single-shot modes.
If there's a chance your subject might be moving--even slightly--while you're shooting, I'd stick with Intelligent Auto. Also, these multishot modes plus 11 others are available in the WX9's scene mode SCN so you can always pick the appropriate one when you need it.
That said, Superior Auto does allow you to take full advantage of the camera's capabilities in an automatic mode. A standard left-tabbed menu system accesses all the rest of the controls, accessible with the suitcase menu at the bottom of the main overlay menu. Though sony dsc-wx9 manual with Manual are a tad cool and greenish, overall color is best. The user is given control over the information that sony dsc-wx9 manual displayed dac-wx9 the live and captured shots.
Multi-angle is particularly unique, creating a 3D image that you can view on the back of the camera by tilting the camera horizontally as you look at the LCD. In telephoto images, the dsc-wz9 of the composition also gets somewhat softer than at wide angle. The telephoto test came out a little dim at 8.
The Menu mmanual is a little too close to the rear dial, making it difficult to press without activating the Self-timer mode instead the bottom button on the rear dial. Sony leaves a conventional mode dial off of the sony dsc-wx9 manual WX9 to keep the camera trim and unfettered, instead using a combination of a Mode switch and the Rear dial to select your shooting mode. Thank goodness sony dsc-wx9 manual there, or the Sony dsc-wx9 manual WX9 would be more too cumbersome to use.
The manula camera is powered by a 3.
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